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The album became the biggest commercial success involving Pop up to that point, reaching the top 40 in both the US and the UK charts. Bowie's label RCA Records released Low in January 1977 and due to its unexpected commercial success, Bowie persuaded RCA to release The Idiot in March. After the album's completion, Bowie recorded his own album, Low, in a style reminiscent of The Idiot. Due to Bowie's major influence on its creation, The Idiot marked a departure from the proto-punk sound of the Stooges, in favor of a style more akin to art rock. The majority of the music was composed by Bowie, while Pop wrote most of the lyrics, often in response to the music being composed. Recorded from June to August 1976, The Idiot was Pop's first release since the breakup of his former band the Stooges in 1974.
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After moving into the Château d'Hérouville in Hérouville, France, Bowie decided to produce Pop's first solo album. It also marked Pop and Bowie's final collaboration until the mid-1980s.Īfter a period of drug addiction, Iggy Pop joined his friend David Bowie on his 1976 Isolar Tour and afterwards, moved to Europe with him in hopes of getting sober. Critically, Lust for Life was well-received, with many praising Pop's energetic performance throughout and his greater role compared to The Idiot the former would later be regarded as one of his best works and has appeared on several best album lists. It also peaked at number 8 in the Netherlands and number 120 on the US Billboard Top LPs & Tape chart. Upon release, Lust for Life received little promotion from RCA but nevertheless peaked at number 28 on the UK Albums Chart and remained Pop's highest-charting album there until 2016's Post Pop Depression. Pop would use Bowie's arrangements for some songs, including the well-known title track. This resulted in a hard rock and proto-punk sound more akin to his older style with the band the Stooges. After The Idiot was mostly composed by Bowie, Pop was adamant about having more control over Lust for Life, often composing his own arrangements, including for "Sixteen". The touring band of Pop, Bowie, guitarist Ricky Gardiner, and brothers Tony Fox and Hunt Sales on bass and drums, respectively, comprised the primary lineup for the album. Lust for Life was recorded at Hansa Studio by the Wall in West Berlin from May to June 1977, with production being handled by Bowie, Pop, and engineer Colin Thurston. At the tour's conclusion, Pop and Bowie regrouped in Berlin to record the former's next solo album.
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Shortly after Bowie released his own album Low in January, Pop went on a tour to support The Idiot with Bowie as his keyboardist. It was his second collaboration with English musician and friend David Bowie after The Idiot, released in March the same year. Both of these songs were minor hits, so Blah Blah Blah succeeded on its obviously commercial terms, but that doesn't change the fact it's one of Iggy's least interesting albums, and has dated worse than almost anything he's ever recorded.Lust for Life is the second solo studio album by American musician Iggy Pop, released on September 9, 1977, through RCA Records. And in the four years since Zombie Birdhouse, Iggy hadn't come up with much in the way of material the only truly memorable tracks are "Real Wild Child (Wild One)," a neat bit of electro-processed rockabilly (previously a hit for Australian rocker Johnny O'Keefe), and the moody "Cry for Love," co-written by former Sex Pistols guitarist Steve Jones. In the liner notes, a member of Duran Duran is thanked for the loan of a drum machine, and that speaks volumes about the production Blah Blah Blah is slick in a very '80s way, dominated by preprogrammed percussion and swirling keyboards. Like The Idiot, Blah Blah Blah was heavily influenced by Bowie's input however, while The Idiot was made by a man creating intelligent and ambitious art rock, Blah Blah Blah is the work of a popmeister looking for hits and not afraid to sound cheesy about it. David Bowie offered to help, and together they came up with Blah Blah Blah, the most calculatedly commercial album of Iggy's career. Wisely realizing he was running out of second chances, Iggy decided to make the most of his good fortune he steered clear of drugs, learned to cook his own meals, started putting money in the bank, and used his savings to bankroll a new album. Bowie recorded "China Girl," a song Bowie and Pop co-wrote, for his album Let's Dance, earning Iggy some large (and much-needed) royalty checks. In 1983, Iggy Pop's career was in shambles, but an unexpected windfall arrived thanks to Iggy's frequent benefactor David Bowie.